e-mail simon@suffolkchurches.co.uk

 

St Mary, Little Finborough

  The roads south of Stowmarket make no sense. They wind and dog-leg through the gentle hills, narrowing, doubling back, and sometimes disappearing altogether. Beyond Combs, they respond to the history of the land around them; they reveal the ancient field patterns in the way they zigzag along and above vanished strips, then turn abruptly short of the perimeter fence of the former RAF Wattisham. The open fields and secret copses spread for miles around, and on this bright day in late Autumn my view was enormous.

Asleep in the woods - St Mary of Little Finborough

  Also enormous around here are the churches; great piles built on the spin-off wealth of the medieval Stour Valley. Here were the sheep that made the wool, here grew the crops that fed the workers that made the cloth; here was the breadbasket that made the Springs and Cloptons rich.

They and their like built churches that are vast edifices; think of Combs, and Hitcham, and Hadleigh. Think even of Lavenham itself, only a few miles off. These churches are among England's most significant.

Little Finborough is not one of them. Instead, the narrowing Combs Road reaches a woodland, three miles from town. Across a recently sown field a tiny Hansel and Gretel of a church peeps through the cedars. There is no proper road to it.

You take the driveway to Finborough Hall, and then turn off through the fields. There are no other houses. There is no village here; only Battisford, a mile away. The air was silent this day except for the wind and the birds.

I had not seen a soul since leaving Combs, cycling out of the Gipping valley and then into the wilderness. Rooks cawed and wheeled out of the recently ploughed fields. A rabbit shook and shot into a ditch. And here, in the fields beside the graveyard, a group of wild deer cropped the early shoots of something - was it winter wheat? I didn't know enough to tell. They regarded me warily, fifty yards off, but didn't startle. I got off of my bike and pushed it through the mud, and must have seemed a strange beast to them.

The perfect little Victorianised country church.

The graveyard was an oasis in the bleakness; hedge- and ditch-surrounded, still verdant with the dampness of autumn. There are a number of 18th century graves to the south of the door, and the church itself is almost completely rebuilt in a sentimental 19th century manner. The whole thing is delightful.

There never was a tower. The west end is entirely rebuilt; before 1856, there was a half-timbered wall here. The new wall supports the contemporary bell turret, and the window tracery is probably all pretty much original in the rebuilt walls.

The door was locked. There were keyholders listed, but they were parishes away, and I was on my bike.

I knew that the church contained nothing of importance, but I was still disappointed, because I love the atmosphere of remote Victorianised churches.

I peeped through the misty windows, and could just make out the coat of arms above the chancel arch. Once, they were all there. I believe that this is the last one in Suffolk surviving in its original place.

I wandered around the graveyard, exploring.Around on the north side, there is a little hut on wheels, being used as a storage shed. Mortlock tells us that it is a 19th century shepherds hut.

 

Somewhat out of scale: the mausoleum

As such, it must have once been common around these parts, although it recalled Thomas Hardy more to my mind than anything in Suffolk.

To the east of the church is a vast slab of a mausoleum to the Cross family, once guarded by iron railings. These were taken down in the Second World War, supposedly for recycling (although most of the scrap metal collected during that conflict seems to have been dumped in the North Sea afterwards) and now it looks an awesomely terrible thing, quite out of sorts and scale with this pretty place.

The utterly charming sanctuary.

  I turned to go, pushing my bike back to the road - but coming along the track between the fields I could see a figure, getting closer. It was an old lady, her headscarf wrapped against the wind. She was carrying a bucket of fresh flowers. Now, I'm six foot tall, weigh fourteen stone and look very fit, so it never worries me if I meet a stranger in a remote place; but I was aware that she might not feel the same way, for exactly the same reasons. So I put on my best smile, and said hello in as charming a voice as I could muster.

"Oh, hello dear", she said, without missing a beat. "And what do you think of our lovely little church?"

I explained that I thought the outside absolutely charming; but that I had been unable to see inside.

"Would you like to?" she asked. "I've got the key in the car".

And, bless her, she turned around, and headed back to the main road, leaving me with the bucket of flowers.

I stood and waited at the edge of the graveyard, watching the deer, who had gone back to cropping the shoots after the brief excitement of our conversation. Suddenly, there was a burst and a flurry in the bush beside me. A tiny wren landed, not ten inches from my face.

The kind lady came back with the key. I expressed my gratitude as she let me into the south door, and I asked her if she was a church warden.

"Oh no, dear", she replied. "There's so few of us here that we all have our own keys. It's better that way."

She knew the little church inside out, and I was delighted by her tour. She mentioned vicars that she remembered from the past, and showed me the plaque on the front bench.

"Now, he was a lovely man", she said. I looked more closely, and saw that the Vicar in question had died in 1937.

My friend headed off with her flowers to the graveyard, leaving me to explore.

Perhaps the county's last surviving royal arms in situ - and the tympanum is a rare survival, too.

The almost complete Victorianisation of this church could not destroy its intense aura of the past. I knew I was standing in an ancient place, but the feel of the 19th century, a world just out of reach, came to me strongly. Wheelwrights and blacksmiths, strong of arm and strong of voice; ladies in complicated hats, and young men home from colonial wars...

This is a tiny church.When Mortlock came here in the late 1980s, it was still lit by oil lamps and candles.

Now, there is electricity, but the oil lamps still hang here. The other most striking feature is a rare plaster tympanum, which once must have supported the rood.

Since 1767, it has supported the royal arms of George III, which the Victorians never moved to the back of the church as they did almost everywhere else.

The font is a simple, 13th century affair, in use, on and off, for almost 700 years.

The panel on the north wall is the decalogue from the now-redundant church of St Nicholas, Wattisham. At one time, it sat behind the altar here, but it is better in its new place. Wattisham once shared a Vicar with this church, among others.

 

Above: the whitewashed font, and flowers from a funeral.

Left: the Our Father and other texts, formerly at Wattisham.

Vicars are much thinner on the ground in Suffolk these days, but Little Finborough is lucky enough to be in a benefice only with busy Combs. This may well prove to be its salvation, because the balance of traditionalist services here, and the less formal ones at Combs, provides a kind of diversity, which may have as many worshippers heading up into the woods as flooding down to the ford below.

Little Finborough is signposted from the centre of Stowmarket through Combs. Just keep going. The church is locked, but three keyholders are listed - the nearest is in Battisford.